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Posts Tagged ‘printmaking in Spain’

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Alaskan Artist, Rhonda Horton, Braves 30-Hour Flight to Come to Maureen’s Workshop

Rhonda and her husband, Rich, had been planning this trip, their first to Europe, for more than a year. For Rhonda it was more than a vacation. It was an opportunity to work  intensively–one on one–for two weeks with an Old World master printmaker and to collect some ideas for establishing her own printmaking studio at home. At the end of her time in Granada she hoped to have produced an exquisite artist’s book. And she did.

Rhonda had scrupulously prepared a full set of pencil drawings on paper as the basis to create an artist’s book on Alaskan sea birds. After admiring them Maureen said, “These are drawings are great but to achieve maximum image quality on solarplates they should be re-drawn in India ink on acetates.” She showed Rhonda how it was done and Rhonda spent her few first morning and afternoons preparing beautiful new drawings.

Then they decided on a format, adaptated to some elongated sheets of handmade Indian paper that Maureen had selected for Rhonda’s artist’s book, and burned the images on the plates. Maureen happened to have on hand some beautifully textured handmade paper acquired from the Paperki paper mill in Hondarribia, Spain, 30 years ago for the cover of the book. Rhonda loved some work that Maureen had done with chine collé and decided to incorporate that technique into her book project, as well.

Then it was just a question of printing up the images and assembling them meticulously into three artist’s books. Rhonda called it “Quiet Song” after a poem that occurred to her on awaking one morning in Maureen’s Gallinero artist’s cabin:

Quiet song, show me the morning
A shout before noon, show me the day
Birds of the shore, show me the night.

A special element in creating ambiente throughout the whole process was Rhonda’s husband, Rich, occasionally sitting quietly at the end of the studio playing his guitar and singing. The delicious atmosphere he achieved was like having a Rennaisance troubador providing live-music accompaniment in an artist’s studio.

Maureen attributes the success of their work together to the fact that Rhonda arrived with a clear project in mind with the images already worked out. The finished product is an exquisite piece of work that reflects the input of both Rhonda and Maureen. The effort expended by both over two weeks is evident in the proud, hard-working faces of both in the second and third photographs in the montage below.

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More Photographs from IB Bremen’s Printmaking Workshop in Granada with Maureen Booth

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Friends Nostalgia, Better than Apple Pie

I was thumbing idly through the visitors’ book in the Gallinero the other day and I was touched by many of the observations made by the remarkable people who have stayed here and worked with me in my studio over the past few years. Here are some of their too-kind comments that moved me.

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Phil Clark, Wales

To Maureen and Mike

Thank you so much for a great two weeks learning new techniques. We always enjoy learning and finding new and exciting ways to print. The print studio is a great space to work. Thank you for the great tapas trips and spas.

You are both very kind people and thank you for sharing your knowledge.

Diolch yn fawr.

Phil and Hilary, Wales

Jess Klausen, New Zealand

Mike & Maureen,

Thank  you so very much for hosting me these last two weeks. I will never forget your generosity. I have learnt so much about Spain, printmaking and myself. I am honored to be the first New Zealander.

So many doors have been opened for me and I am excited for the future, thanks to you.  So thank you and thank you. I hope to be back.

Jess

.Nevine Sultana, Bangladesh

To Maureen & Mike

I had such a wonderful time at your place. The Gallinero was such a treat and the studio was amazing. Dolly was an extra bonus. I will be missing her so much.

Mike, a big thank you to you for taking so much care of me. Your paella was amazing.

Maureen, a big thank you for all your kindness. I really enjoyed my stay here and look forward to coming back.

Take care.

Nevine from Bangladesh

Carole Pearson

Maureen,

Thank you so much for a wonderful week. I am rested, instructed, filled with creative hope and stuffed with all the goodies you keep bringing me.

And not to forget Mike’s paella–a dream.

Muchas gracias to you both. Adios for now.

Carole

Gina and Ross Miller, Australia

Maureen,

A truly enlightening experience from the first moment you step into the studio. Maureen, like all good teachers, has an ability to instill self-confidence and adapt to your own artistic themes, style and concepts.

Her personal success and experience as an artist are considerable but she willingly shares her vast knowledge and experiences of technical processes and aesthetic values. Our folio production over three days seems equal to weeks of work.

Thank you so much for an inspirational journey.

Saludos,

Gina and Ross Miller, Selby, Victoria, Australia

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Here’s wishing a joyous Winter Solstice and a happy and prosperous New Year to all my people.

I want to make you a little gift. If you follow this link (http://youtu.be/4zNnkAbQ-1Y) it will take you to my Printmaking Tips video (one of my Master Printmaking Courses series) that is posted in a secret place on YouTube that can only be accessed with this link. I hope you find something there that might refine your work a little bit.

Two thousand fifteen has been an excellent year for us. Our good friend Rafa Sánchez, the surgeon whom Mike goes hiking with on most weekends, recommended a new doctor to treat my arthritis. Dr. Salvatierra changed my medication, which immediately reduced pain and swelling in my joints. It was like magic. I feel better than I have in years.

My other special joy for this year has been our grand daughter, Lucía, who has been staying with us for a couple of months during her first pregnancy. It’s a boy, due in February. This will be our third great grandchild, as Lucía’s little sister, Elisa, already has two wonderful children, Gabriel 4 and Julia 2.

I’m starting work on a new commission that proves to be challenging and fascinating. An old friend from California, a musician, composer, musicologist, documentary film maker and record producer, wants a portfolio of etchings based on a suite he composed when he lived in our village for a year back in the early 70s. I think I’m over the first hurdle. I’ve decided on an approach to the images. Wish me luck.

A group of 12 students from The American School in Switzerland (TASIS) are coming back this year during their winter break for five days of printmaking in my studio. I love working with young people, and it’s surprising the quantity and quality of work they can turn out. I’ll ask Mike to make some pictures of the workshop and post them here.

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Dolly as a baby. Angelic, isn’t she…

 

Shall I tell you the Dolly saga? Dolly is one of Cuca’s two pups, the one we kept. She’s just over a year old now. The father was a little Jack Russell-type terrier. We should have been forewarned. From early on she constantly tried our patience: hyperactive, chewy, yappy, and if we made her nervous she would take revenge by peeing on our bed. We were always of two minds whether or not to find a good home for her.

Then last month a young woman from the village showed up at our door asking if we had any puppies. She had been promising her two girls (10 and 4) a puppy and had to deliver. As soon as she saw Dolly she was smitten. (As you know, the Devil takes many forms and Dolly is diabolically cute.) As María José walked proudly down the hill with her new puppy on a lead Mike and I exchanged meaningful glances. Had we done it? A week went by. Apparently we had.

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Family portrait lacking just a couple of cats.

Then Dolly started showing up at our house from time to time. I would phone María José and she would come up dutifully and retrieve her. She said her girls were wild about Dolly but she was concerned because they never left her alone. If they weren’t dragging her along on the lead they were hugging her on their laps. No peace for the wicked!

A week later María José showed up with Dolly in tow. Her mother had said that Dolly had to go. She had come into heat and, along with her other shennanigans, was making life at their house impossible.

Dolly’s back, but with a difference. She’s almost perfectly behaved. It’s a miracle. She’s so happy to be in a familiar place with old friends–especially her soul sister, Blacky the cat.

Dolly now comes when we call her, goes where we tell her, hesitates for permission before jumping up on the furniture, hasn’t eaten any shoes, socks or plastic kitchen utensils since she’s been back. She’s discreet and affecionate, a pleasure to have around. In short,  we have never had such an appreciative puppy.

I almost forgot to mention Mike’s latest project, a new site he started in August. It’s called Somos Pineros (We’re from Pinos) and it showcases the photographs he has made in our village since we arrived here, pictures from the end of the sixties till day before yesterday. The text is in Spanish but the images are universal. Here’s the link: http://somospineros.com.

Do take good care of yourselves next year and come and see us when you can. Printmaking is good for you!

 

 

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Fran Ramírez, Madrid, Spain

Fran Ramírez is a talented and dedicated artist. We have been doing collaborative work together in my studio for more than 10 years. As you can see from the images below, Fran has his own particular view of life in Spain plus a unique vision in his paintings and prints.  He has recently finished the restoration work on a new studio in Madrid for himself and his photographer wife, Marta. It also includes a discreet exhibit space. We’re anxious to see the work they hang up there.

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Audrey Feltham, Deer Lake, Newfoundland, Canada

Audrey and her husband Jim were here for just a few days but in that time she did some interesting prints and we learned a lot about the Canadian northeast. Jim told some wonderful stories of his experiences as a high-school teacher and basketball coach in a village on the northernmost coast of Baffin Island, which enjoys low winter temperatures of 40-50 degrees below zero. “How far is it from the nearest town?” I asked. “About an hour,” he replied. “By road?” “No, by plane. There aren’t any roads.” And like that. Here’s wishing the Felthams well, and do bundle up, won’t you! (more…)

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Australian artist Jini Grinwald was the inspiration for this print. She saw some flamenco dance drawings in my sketchbook and said, “This one would make a lovely liquid-metal print…” See whether you agree:

Maureen Booth's Granada flamenco print

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