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Posts Tagged ‘Coaching for printmakers’

Jan Reawakens Her Printmaking Enthusiasm in Granada

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Jan Stickland is coming back. After two serious operations in the past year, she decided to try her newly recovered wings with a solo trip to Spain from her home in Australia and an intensive printmaking workshop with Maureen here in Granada. She achieved both with high marks. When she left she was full of ideas, plans and a determination to buy an etching press and set up her own studio at home. “Maureen made me see that it was not only possible but necessary,” says Jan. “The truth is I always feel best when I’m making art.”

Jan is a country girl, raised in a village in the state of Victoria where her mother would pack her a lunch in the morning and she could spend the entire day walking alone in the woods. “I got to know every inch of that forest,” she says nostalgically. Having spent her professional life as a primary school teacher, with what she refers to as a “disjointed relationship with art,” Jan is now retired with her children grown up and independent. “It’s time to get back to art,” she says, adding, “I confess, though, that my principal motive for coming to work with Maureen was not mainly about printmaking. It was to relax and clear my head. But Maureen quickly took me far beyond that. This became a working holiday. We worked hard together and I learned more in a short time than ever before in my life, and not just about printmaking techniques and creative printing, but also studio practice and organization. In her studio Maureen seems always to have the materials she needs–down to an important scrap of grandmother’s lace or a pressed flower–close at hand. She buys most of her materials on Internet and they are delivered to her door.

This was Jan’s second visit to Spain. She was here last year after being chosen to represent Australia in the IMPACT 10 Encuentro, the tenth edition of the International Multidisciplinary Printmaking Conference created by the University of the West of England which was held in the city of Santander, Spain, from September 1 to 9, 2018. Jan had another compelling reason to visit Spain. Her son married a Spanish girl and they live in a hillside village in the province of Alicante just a 15-minute drive from the Mediterranean coast.

In answer to the question, “Why printmaking?” Jan replies, “It’s the serendipity, the magic that happens every time you pull that blanket back off a freshly pressed print.”

While Jan was here she also found time in the afternoons to stroll through the village and try its restaurants. One of those afternoons she coincided with the annual “Fiesta del Agua” and joined in the fun with the village young people. On her last afternoon, she accompanied Maureen on a delightful walk through a pine forest (“ahh, the smell…”) located 1,000 vertical meters above the village, where it’s 6-8ºC cooler on summer afternoons. We wouldn’t be surprised to see Jan coming back one of these years. It’s not just the printmaking. There is also her family down there in Alicante, just a short bus ride away.

Photos by Mike Booth
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Friends Nostalgia, Better than Apple Pie

I was thumbing idly through the visitors’ book in the Gallinero the other day and I was touched by many of the observations made by the remarkable people who have stayed here and worked with me in my studio over the past few years. Here are some of their too-kind comments that moved me.

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Phil Clark, Wales

To Maureen and Mike

Thank you so much for a great two weeks learning new techniques. We always enjoy learning and finding new and exciting ways to print. The print studio is a great space to work. Thank you for the great tapas trips and spas.

You are both very kind people and thank you for sharing your knowledge.

Diolch yn fawr.

Phil and Hilary, Wales

Jess Klausen, New Zealand

Mike & Maureen,

Thank  you so very much for hosting me these last two weeks. I will never forget your generosity. I have learnt so much about Spain, printmaking and myself. I am honored to be the first New Zealander.

So many doors have been opened for me and I am excited for the future, thanks to you.  So thank you and thank you. I hope to be back.

Jess

.Nevine Sultana, Bangladesh

To Maureen & Mike

I had such a wonderful time at your place. The Gallinero was such a treat and the studio was amazing. Dolly was an extra bonus. I will be missing her so much.

Mike, a big thank you to you for taking so much care of me. Your paella was amazing.

Maureen, a big thank you for all your kindness. I really enjoyed my stay here and look forward to coming back.

Take care.

Nevine from Bangladesh

Carole Pearson

Maureen,

Thank you so much for a wonderful week. I am rested, instructed, filled with creative hope and stuffed with all the goodies you keep bringing me.

And not to forget Mike’s paella–a dream.

Muchas gracias to you both. Adios for now.

Carole

Gina and Ross Miller, Australia

Maureen,

A truly enlightening experience from the first moment you step into the studio. Maureen, like all good teachers, has an ability to instill self-confidence and adapt to your own artistic themes, style and concepts.

Her personal success and experience as an artist are considerable but she willingly shares her vast knowledge and experiences of technical processes and aesthetic values. Our folio production over three days seems equal to weeks of work.

Thank you so much for an inspirational journey.

Saludos,

Gina and Ross Miller, Selby, Victoria, Australia

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Mike ran across a video on the web the other day and he immediately called me to have a look at it. It was an ad for Graydin , a coaching service (with offices in New York and London) that advises high schools around the world on ways of empowering their students. According to their website their service is founded on the premise of “Ask, don’t tell.”

As I sat down at the computer he said, “See what this reminds you of.” This fascinating video lasts less than three minutes but in that time it became clear to me what he was driving at. My reply to him was: “This is what I do.”

The truth is I never thought of myself as a coach, nor my work as coaching. I’ve been a printmaker for more than 30 years and a dozen years ago I began offering summer printmaking courses in my studio. As time went by my workshops turned more and more into mentoring for individual artists. It just seemed to make sense. Being able to give my undivided attention to an artist (whether a student, a beginning artist, or a full professor of art) and to work collaboratively for two straight weeks was so much more productive than a group workshop. We advanced so much faster and farther. And my students really noted–and appreciated–the difference.

So, if you look at the top of this page you’ll find a new subtitle under Printmaking Courses in Spain. It says “One-on-One Coaching for Print Artists.”

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