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Posts Tagged ‘printmaking courses Spain’

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These TASIS Students Have Redefined the “Work” in Workshop

Martyn Dukes and Frank Long returned again this year with their art and photography students for their third printmaking workshop with Maureen. After missing the first of four days due to a cancelled flight from Milan and a long trip via Zurich the following day they should have been tired. But no, determined to make up for lost time they marched right into the studio for Maureen’s orientation talk, so they were primed to go the next morning. Another factor that got them off to a running start was the stack of drawings and photos on acetate that they had prepared previously.

So while they worked on new acetates in the studio under Maureen’s supervision, her assistants, Carmen and María José (bottom right in the photo), started exposing and inking solar plates and running them through the two etching presses. The system worked well and permitted the students to achieve a surprising production of prints in just three days working mornings and afternoons. They barely stopped long enough to eat lunch, though on the last day they managed to fit in a stroll around the high spots of Granada.

Congratulations to all of  you. You couldn’t have done it any better. P.S. You will be happy to know that both María José and Carmen remarked how polite and cordial all of the students were–and how saintly patient Martyn and Frank were.

Here’s the pictures:

 

Would you like to see some of Maureen’s artwork? Here’s a link.
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Back for Seventh Successive Year

This group of high-school juniors, from Germany, Russia, the USA and Spain all attend Bremen’s  International Baccalaureate school and study art under Brenda Eubank. This is the seventh (eighth?) successive year that Brenda brings her students to Maureen’s studio to do a printmaking workshop. (Note: Brenda notifies us by email that the first workshop Maureen had with the students from Bremen was in 2011, so this year’s visit was the ninth. Time flies.)

This year, under Maureen’s guidance, they made three collective artists’ books. It sounds complicated and it was but the results gratified everybody.

Have a look at the photographs, below.

(Thanks, Brenda, hope to see you next year.)

 

Photos by Mike Booth and Brenda Eubank
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“Three days with Maureen helped me find my former artistic self.”

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Kate MacKinnon is one of those unusual people who thrive on learning and never stop. She just spent three days in the studio with Maureen and got stuck into a new challenge: printmaking. As with everything else, she’s serious about it.

Kate graduated with a degree in psychology from Hobart William Smith Colleges, a great little liberal arts school in upstate New York, then hitchhiked around Europe for four months before going to work in 1989 for Chase Manhattan Bank–which later became part of JP Morgan Chase–and stayed there until 2017 when she took an early retirement.

She seemingly came out of that experience unscathed. She’s not the least bit “bankish;” in fact she’s eminently normal. So how did she manage it? “I always worked in technology,” she says, “and I was surrounded by intelligent people. I learned on the job, from them. I had some people skills.” Kate underrates herself. Her people skills are such that she could swim in shark-infested waters if she had to.

Asked what she discovered working with Maureen she replies, “I discovered how much she knows about printmaking and, just as important as that, how willing she is to share her knowledge. Time spent with Maureen in the studio one-on-one not only teaches you printmaking. She also conveys some rich lifestyle wisdom. Some of it’s Spanish, some of it’s of her own creation. She’s living every artist’s dream.”

“One of the great things about working with Maureen is the accommodation. It’s a cabin built into a mountainside with great comfort, workspace, privacy and views. I slept well the first night and on the second day started taking siestas. And there’s an added attraction. It’s just 40 steps–I counted them.–from the studio.”

 

 

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An International Group of Young Artists from IB Bremen Get Into Inked Plates

Brenda Eubanks-Ahrens is back this year with the cream of her art class from the International Baccalaureate School from Bremen, Germany, eight young people with artistic leanings. I’m always impressed when I see just how serious they are about image making. It’s so satisfying working with these kids. For most of them it’s the first time they’ve ever been in an artist’s studio, and I feel privileged to have introduced them to their first one. Perhaps a bit of art magic will stay with them throughout their lives.

The weather was perfect; we ate out on the terrace in the shade of the grape vines every day. Mike was the cook and almost didn’t have enough time to make the photographs. In the end he was able to supplement those he made with some that my assistant, María José, made with her cell phone. (Thank you María José.)

Here are the photographs:

 

 

 

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Not having done fine art prints before she’s making up for lost time.
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Tasmanian artist, Frances Parker, and her husband, Mike, arrived last Sunday. Monday morning at nine she stepped into my studio and, after a 15-minute introduction, sat down to make her first print. At the end of that day she saw it come out of the etching press, having made not a single wrong move. The print could have been made by a professional. It was clear to me then that she was an experienced and talented artist who had been needing to make fine-art prints for a long time.

It’s the end of the week now, and we’ve just put the last of her work in the press so she can take it home nice and flat. Her new house includes beautiful studio space and a nearby friend has an etching press where she can also work. I’m looking forward to seeing the prints she produces over the next few years.
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Frances and Mike had unusually good luck as the dates of their visit coincided with the annual “Fiestas Patronales” in our village. (You can see my husband Mike’s photos of one night of the fiesta here.) So every evening there were lots of activities, lots of music and dancing and lots of exotic tapas with the beer, in all an intensive course in fiesta.

Photos by Mike Booth and Mike Parker

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Homenaje a Maureen

Somos Pineros

Homenaje a Maureen.
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Karen Urquhart is an Australian girl who arrived at my workshop via London, where she has lived for eight years. Shortly after arriving she declared that her objective with this workshop was to enable her to fill out her printmaking skill set in order to set up her own studio when she got home. That’s a pretty big order for a 10-day workshop, but we set to work systematically using solarplate and liquid metal techniques.

Karen, who had done summer printmaking courses previously, had some grounding in printmaking, but more important than that she had a willingness to work long and hard. We would work mornings from 9:00 until 2:00 and after lunch she would go back down to the studio by herself and work past 9:00 p.m. I think that dedication shows in the work she produced while she was here (see photos below).

Karen has a lot of good ideas of her own, which made our creative time together very interesting.She liked very much the liquid metal technique and found ways of combining it with solar plates to achieve some surprising results.

It’s been great working with you, Karen. Come back and see us when you can.

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