Now Comes the Hard Part; What Will You Think?

Here you have it, a project that has been rambling round my head for years and finally got started three months ago when my assistant, María José, suggested, “We’re not doing much else, why don’t we start on your recipes-with-prints idea? Suddenly, getting up in the morning in the boring and confusing life under Covid controls began to have meaning. It’s true, happiness is a project.

The recipes are my own  personal favorites. Some of them I inherited from my mother and grandmother, some from friends and some of the best local dishes from our pueblo, Pinos Genil.  I have included some vegetarian dishes and some are my own  creative  experiments. I hope you will find them interesting.  This has been an inspiring learning experience for me and I’m happy to see the result.

Preparing an edition is, beyond the image making, a lot of work. The Spanish would say it’s a combination of “arte y artesanía.” Once you’ve refined your sketches and burned them onto plates, you’ve got all that printing to do by hand. Though this edition is a small one, with only 19 portfolios, each one has 16 prints. Add to that the hand coloring of all of them. Then there was the text. As it is impractical to handwrite the recipes in English and Spanish on plates, the answer was a print shop and all the complication that entails. For both of these problems I had extraordinary luck close at hand. They are named María José, my near-daughter whom you have already met, and our neighbor, Ricardo, who owns one of Granada’s most exquisite print shops, la Imprenta del Arco. I’m forever thankful for his patience with all my changes and his excellent criteria concerning my doubts. And I don’t want to forget María José’s lovely daughter, Silvia Romera Braojos, who did the translation into Spanish and the formatting of the text.

Young Old Friends

So each DIN-A4-sized recipe has Ricardo’s offset text on one side and my hand-pulled original print on the other. One of the advantages of living in the same place for 50 years is that you know whom you can rely on. And our pueblo, Pinos Genil, is a great place to live. I have an added advantage here. In the late 1970s I used to give painting lessons in the town square to all the children who were interested, and today I am privileged to have all of those children as 40-and-50-year-old friends.

I haven’t had much feedback yet, except for our old friend, the doctor/painter, Rafael Sánchez, who dropped by last night for one of his amusing visits. He saw the portfolio, said, “This is art on the outside and art on the inside,” and took one home with him. That was encouraging, Rafa, thank you.

As for how to enjoy/display/use these prints is up to the owner. You would have to have a pretty big kitchen to frame and hang 16 prints. You could leave the portfolio on a coffee table (along with a pair of white cotton gloves). Or enjoy figuring out your own creative solution. If you think you might like to have one of the 15 remaining portfolios (discounting one each for María José, Ricardo and me) you can email me at maureenluciabooth(at)gmail.com.

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