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Posts Tagged ‘Pinos Genil Granada’

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Alaskan Artist, Rhonda Horton, Braves 30-Hour Flight to Come to Maureen’s Workshop

Rhonda and her husband, Rich, had been planning this trip, their first to Europe, for more than a year. For Rhonda it was more than a vacation. It was an opportunity to work  intensively–one on one–for two weeks with an Old World master printmaker and to collect some ideas for establishing her own printmaking studio at home. At the end of her time in Granada she hoped to have produced an exquisite artist’s book. And she did.

Rhonda had scrupulously prepared a full set of pencil drawings on paper as the basis to create an artist’s book on Alaskan sea birds. After admiring them Maureen said, “These are drawings are great but to achieve maximum image quality on solarplates they should be re-drawn in India ink on acetates.” She showed Rhonda how it was done and Rhonda spent her few first morning and afternoons preparing beautiful new drawings.

Then they decided on a format, adaptated to some elongated sheets of handmade Indian paper that Maureen had selected for Rhonda’s artist’s book, and burned the images on the plates. Maureen happened to have on hand some beautifully textured handmade paper acquired from the Paperki paper mill in Hondarribia, Spain, 30 years ago for the cover of the book. Rhonda loved some work that Maureen had done with chine collé and decided to incorporate that technique into her book project, as well.

Then it was just a question of printing up the images and assembling them meticulously into three artist’s books. Rhonda called it “Quiet Song” after a poem that occurred to her on awaking one morning in Maureen’s Gallinero artist’s cabin:

Quiet song, show me the morning
A shout before noon, show me the day
Birds of the shore, show me the night.

A special element in creating ambiente throughout the whole process was Rhonda’s husband, Rich, occasionally sitting quietly at the end of the studio playing his guitar and singing. The delicious atmosphere he achieved was like having a Rennaisance troubador providing live-music accompaniment in an artist’s studio.

Maureen attributes the success of their work together to the fact that Rhonda arrived with a clear project in mind with the images already worked out. The finished product is an exquisite piece of work that reflects the input of both Rhonda and Maureen. The effort expended by both over two weeks is evident in the proud, hard-working faces of both in the second and third photographs in the montage below.

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People ask, “Why did you come here? Why did you stay?”

The answer is straightforward enough. We liked Spain, at least the version of the country and its people we encountered in our village, Pinos Genil. And Spain seemed to like us. We arrived here in the fall of 1969. (“Ha llovido,” say the Spanish. “It has rained since then.”)

Mike started making photographs from the beginning, especially of the events in the pueblo: the fiestas, romerías, harvests, etc. He recently digitalized his old negatives and started publishing them on a photo-blog, SomosPineros.com. In case you’re interested in seeing what our village and our neighbors looked like a few decades ago I’m going to upload a few pictures here and give you some links to posts on Somos Pineros.

Later, in a second post, I’ll show you some recent pictures from this year and last, so you can see how things have changed around here. Here we go.

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Here are some links to  posts about the old days in Pinos:

Stop back in a couple of days to see pictures of Pinos Genil today.

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