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These TASIS Students Have Redefined the “Work” in Workshop

Martyn Dukes and Frank Long returned again this year with their art and photography students for their third printmaking workshop with Maureen. After missing the first of four days due to a cancelled flight from Milan and a long trip via Zurich the following day they should have been tired. But no, determined to make up for lost time they marched right into the studio for Maureen’s orientation talk, so they were primed to go the next morning. Another factor that got them off to a running start was the stack of drawings and photos on acetate that they had prepared previously.

So while they worked on new acetates in the studio under Maureen’s supervision, her assistants, Carmen and María José (bottom right in the photo), started exposing and inking solar plates and running them through the two etching presses. The system worked well and permitted the students to achieve a surprising production of prints in just three days working mornings and afternoons. They barely stopped long enough to eat lunch, though on the last day they managed to fit in a stroll around the high spots of Granada.

Congratulations to all of  you. You couldn’t have done it any better. P.S. You will be happy to know that both María José and Carmen remarked how polite and cordial all of the students were–and how saintly patient Martyn and Frank were.

Here’s the pictures:

 

Would you like to see some of Maureen’s artwork? Here’s a link.
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Puedes conocer este laboratorio de la magia del arte desde hoy hasta el día 6 de enero, visperas de Reyes

Allí te espera una experiencia artística única–convivir con una artista profesional durante unos minutos en el estudio donde ha dedicado muchos años a crear su arte original en varios formatos: obra gráfica, pintura y escultura. No lo pierdas.

Se puede concertar una cita o bien por teléfono o por email:

Teléfono: 605 341 632
Email: maureenluciabooth@gmail.com

He aquí más fotos de la historia del estudio de Maureen, la gente que ha trabajado con ella, sus obras y sus alegrías:

 

Gracias por seguir, comentar y compartir.

 

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¿Has visitado alguna vez el estudio de un artista? Es el destilado de una vida entera.

Haz la cita para tu visita al estudio de Maureen aquí:

Hasta pronto.

He aquí unos momentos en el estudio de Maureen a través de los años:

 

Autoretrato Maureen 1982

Maureen, Autoretrato, 1982, colección de Miguel

Hay obras grandes y chiquititas, pinturas, grabados y esculturas, que te van a encantar. Y los precios de las piezas son asequibles, sobre todo los grabados.

Puedes llamarla  or enviarle un email para concertar una visita al estudio a partir del viernes, día 20 de diciembre hasta el 6 de enero, vísperas de Reyes.

Teléfono: 605 341 632
Email: maureenluciabooth@gmail.com

 

Todas las obras de abajo son grabados estampados sobre papel hecho a mano en ediciones numeradas y firmadas:
Gracias por seguir y compartir.

 

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Volver a la versión española

You’re Invited to Drop by and Visit the Studio where Maureen Has Created these Sculptures, Paintings and Graphic Work.

And if you find a piece that strikes your fancy, you can even aquire it, either for your own home or as a Christmas gift for someone you love. Maureen will be at home every day starting Friday, December 15 until Monday, January 6th. You can phone her to make an appointment (34 605341632).
Here are a few samples of work that is still available, and there is a lot more in her studio.

 

P.S. Can’t make it? If you see something you need, drop Maureen an email: maureenluciabooth@gmail.com.

Thanks for commenting, following and sharing.
Go to the English version

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Podéis subir a conocer su obra en el estudio donde se han elaborado los grabados, las pinturas y esculturas

Y si hay una pieza que te capte, hasta puedes adquirirla, o bien para tu propia casa o como regalo de Reyes para un ser querido. Maureen estará a tu disposición todos los días desde el viernes, 15 de diciembre hasta el lunes, séis de enero. Se puede concertar la visita llamándole por teléfono–605341632.
He aquí unas cuantas muestras de la obra disponible, pero hay muchas cosas más en el estudio.

 

Gracias por seguir y compartir.

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Days Full of Printmaking, Seafood, White Wine and Laughs

When Mary was leaving after her first course with Maureen she said, “I want to come back here with my husband, Robert. So I’ll be seeing you again.” That was eight years ago, but Mary kept her word. In the meantime she has set up her own printmaking workshop at home in a small town outside Milan, Italy and she wanted to do a refresher course with her maestra before beginning serious work.

“I’m so glad I came back,” said Mary. “I learned so much making prints with Maureen this time. It was so fun working with gold leaf. I’ve got some at home but I never knew how to use it. This visit served to convinced me that I need to come back a third time and stay longer! And Robert doesn’t object. He had so much fun. He wants to come back to visit the great little seafood bar Mike and Maureen took us to and to eat another of Mike’s paellas on their terrace.”

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Getting into the Third Dimension

I never expected to do any sculpture, but I stopped by my friend, Esperanza Romero’s studio one day and she was working on a piece of clay.  She saw I was fascinated and set me up with a lump of clay and some advice for a beginner. And out came Diva.  I was hooked. I made more figures and have had them cast in bronze. Here they are.

 

This is Diva, our chihuahua when she was a puppy. I tried to capture some of her puppiness and, yes, her ears were that big. At least the appeared that way to me.

 

This one is called “Cacolina.” She was our first small dog. When a friend offered her to us as a pup, Mike said, “Thanks but no, we prefer big dogs.” Up until that time we had had mastiffs and great danes. “So the friend said, “Look, just take her home with you. If she doesn’t work out you can bring her back.” That was the end of mastiffs for us. She went on to mother a whole dynasty of little rough-haired terriers we called “Cacolinos.” I did this figure from memory.

 

I call this one “Siesta.” It’s from memory, too.

 

This is “The Kiss,” also from my imagination. Cacolina made her way into this one, too.

You Can Purchase One If You Like, Or More Than One

All of these pieces are for sale. I’ve decided to present them in editions of seven each. They will be designated: MLucia, 1/7…7/7, and accompanied by a certificate of authenticity.

If you see a piece you would like to acquire, please email me and we’ll discuss the arrangements. My email is: maureenluciabooth(at)gmail.com.

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Jan Reawakens Her Printmaking Enthusiasm in Granada

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Jan Stickland is coming back. After two serious operations in the past year, she decided to try her newly recovered wings with a solo trip to Spain from her home in Australia and an intensive printmaking workshop with Maureen here in Granada. She achieved both with high marks. When she left she was full of ideas, plans and a determination to buy an etching press and set up her own studio at home. “Maureen made me see that it was not only possible but necessary,” says Jan. “The truth is I always feel best when I’m making art.”

Jan is a country girl, raised in a village in the state of Victoria where her mother would pack her a lunch in the morning and she could spend the entire day walking alone in the woods. “I got to know every inch of that forest,” she says nostalgically. Having spent her professional life as a primary school teacher, with what she refers to as a “disjointed relationship with art,” Jan is now retired with her children grown up and independent. “It’s time to get back to art,” she says, adding, “I confess, though, that my principal motive for coming to work with Maureen was not mainly about printmaking. It was to relax and clear my head. But Maureen quickly took me far beyond that. This became a working holiday. We worked hard together and I learned more in a short time than ever before in my life, and not just about printmaking techniques and creative printing, but also studio practice and organization. In her studio Maureen seems always to have the materials she needs–down to an important scrap of grandmother’s lace or a pressed flower–close at hand. She buys most of her materials on Internet and they are delivered to her door.

This was Jan’s second visit to Spain. She was here last year after being chosen to represent Australia in the IMPACT 10 Encuentro, the tenth edition of the International Multidisciplinary Printmaking Conference created by the University of the West of England which was held in the city of Santander, Spain, from September 1 to 9, 2018. Jan had another compelling reason to visit Spain. Her son married a Spanish girl and they live in a hillside village in the province of Alicante just a 15-minute drive from the Mediterranean coast.

In answer to the question, “Why printmaking?” Jan replies, “It’s the serendipity, the magic that happens every time you pull that blanket back off a freshly pressed print.”

While Jan was here she also found time in the afternoons to stroll through the village and try its restaurants. One of those afternoons she coincided with the annual “Fiesta del Agua” and joined in the fun with the village young people. On her last afternoon, she accompanied Maureen on a delightful walk through a pine forest (“ahh, the smell…”) located 1,000 vertical meters above the village, where it’s 6-8ºC cooler on summer afternoons. We wouldn’t be surprised to see Jan coming back one of these years. It’s not just the printmaking. There is also her family down there in Alicante, just a short bus ride away.

Photos by Mike Booth
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Back for Seventh Successive Year

This group of high-school juniors, from Germany, Russia, the USA and Spain all attend Bremen’s  International Baccalaureate school and study art under Brenda Eubank. This is the seventh (eighth?) successive year that Brenda brings her students to Maureen’s studio to do a printmaking workshop. (Note: Brenda notifies us by email that the first workshop Maureen had with the students from Bremen was in 2011, so this year’s visit was the ninth. Time flies.)

This year, under Maureen’s guidance, they made three collective artists’ books. It sounds complicated and it was but the results gratified everybody.

Have a look at the photographs, below.

(Thanks, Brenda, hope to see you next year.)

 

Photos by Mike Booth and Brenda Eubank
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