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Archive for the ‘Workshops’ Category

Robyn Smith artist

Our friend, Robyn Smith, is so vital, so fun, so down to earth, and such a world bounder she could only be Australian. She turned up at my studio a couple of weeks ago in rather a dither. “I’ve been invited to present a piece in the St. Petersburg (Russia) Biennale and I’ve only got two weeks to get it done. Can I work in your studio? Do you want to help me prepare it?”

Robyn’s association with Russia is not accidental. She began studying the Russian language in Australia in the mid 90’s and made her first trip there in 1997. She was immediately taken with St. Petersburg, made friends there, stayed in touch with them. A few years later Robyn’s Russian professor in Australia introduced her to an artist with a studio in St. Petersburg who offered to share it with her. She ended up living about half of every year there. She says, “I always feel welcome and respected as an artist in Russia, much moreso than in my own country. Since the time of the Russian revolution and until quite recently artists were considered citizens who contributed something to the country and were treated as such. Some of that respect still remains.”

Robyn’s diptych, a tribute to Pushkin, is finished and she’s on her way to St. Petersburg with it under her arm.

Come back soon, Robyn.

Here’s what we were listening to: http://youtu.be/Hphwfq1wLJs

Dates: 15 April – 15 June 2014
Location: National Russian Library in St. Petersburg, Russia
Curator: Inna Grinchel
This international exhibition in the new large exhibition hall of the National Russian Library in St. Petersburg (Moskowskij prospect 165) is dedicated to the Pushkin poem “Eugenij Onegin.” A concurrent exhibition of artists’ books will be held in the Exhibition hall of the City Sculpture Museum. Its opening will be on International Book Day– 23 April.

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River walk

It’s been such a busy and challenging autumn here that it feels luxurious just to have the time to sit down by the fire and tell you about it. After pulling an edition of 150 prints for a Malaga artist in August I devoted the month of September to a particularly rewarding Australian artist–and person–who prefers to remain anonymous. After two weeks of wonderful collaborative printmaking together her husband joined her in the Gallinero. Their plan was to tour around Andalusia: Cordoba, Seville, the Costa del Sol, the Picasso Museum in Malaga, etc.

boar family GranadaIn the end they decided to stay in the Gallinero and visit Granada thoroughly. They found so much to do and so many good things to eat and drink that they never escaped from Granada. We introduced them to our favorite tapas bar–possibly the world’s finest–and they fell under its spell, going back there for lunch most days. They even discovered things in Granada that we didn’t know about, such as the new intimate little Flamenco Theater on the Cuesta Gomerez, the steep street that runs from Plaza Nueva up to the Alhambra. Before their stay was over they were joined by their son and daughter-in-law with their two delightful little girls. The son is a runner/climber and while everyone else was having their siesta one day he took the older of the girls Spanish ibex Granada(9) up to the top of the mountain behind our house where they surprised a mother jabali (wild boar) and a flock of piglets. The following day they crossed the river and went up the opposite side of our valley and spotted a herd of mountain goats (cabras montesas, the Spanish ibex).

A week before the charming Australians left I got a wholesale order for prints and Rodrigo, my assistant, had just left for Argentina where he had inherited a house. Luckily a willing and talented friend, María José Braojos (wife of Juan Carlos Romera, the video producer who did all of my videos) stepped in and starting inking plates like a professional. We were ticking over nicely when Mike, who had been feeling run down, went to the University Hospital in Granada for some tests. As soon as the cardiologist saw the results he said, “Miguel, it looks as if we’re going to be keeping you here till we can schedule a date to operate.”

Five days later Mike had a triple bypass and a week later he was back home. “Everything in the hospital was perfect,” he said, “a painless experience like watching a documentary with me in it.” He’s recovering nicely, back at work for a couple of weeks now and walking a bit farther every day. Speaking of “work,” how long since you’ve looked at his online magazine about Spain? Here’s a link: ¡Alegria! The Joy of Spanish Living.

MuniraA couple of weeks ago I was invited by Munira Mendonça, an amazing leather craftswoman from California, to mount a permanent exhibit of prints in her leather boutique, Munira, in Plaza Nueva, the swankiest gift shop in Granada. I dropped the work off a couple of days ago and it looks pretty good in that old-bricks-and-beams setting highlighted by a 300-year-old stone fountain.

Let’s see what else is new. Oh, it snowed last week and it looks like more this week. They’re talking about opening the ski area early this year. (That snow is 4,000 feet above us. Down here the pomegranates (granadas) are bursting, the persimmons are turning red, the poplars along the river are forming a golden chain, and the new wine is bubbling in the barrels.)  And, how could I forget, Nuevo Inicio (New Beginning), the publishing arm of the Archbishopric of Granada has just brought out a book for modern women entitled Get Married and Be Submissive, which I’m sure is destined to be a universal best seller.

Meanwhile I’m looking forward to hosting Mary Majerisson from Italy after Christmas and then Cathy Naro from Chicago and Lorna Ryan Burden from Melbourne and along with their husbands, Mike and Roger, next spring, the third visit for both of them. I love it when email correspondence turns into friendships!

Here’s what we’ve been listening to: http://youtu.be/Dpylr2H7h7E

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Debby Haskard Maureen Debby and Steve Haskard from Adelaide, South Australia are doing their first grand tour of Europe (including pieces of Africa and Asia). During the planning stage Debby drew a line between Adelaide and Holland, where they’re joining a big international family reunion later this month and discovered that the line passed close by Spain. “What a great opportunity to visit Maureen Booth’s studio in Granada and spend a few days working with her,” thought Debby, who makes prints at the Adelaide Centre for the Arts. (more…)

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Edith MayEdith May studied architecture and Australian art in the ’80s and is today  the manager of the Fire Station Print Studio in Melbourne, Australia. She applied for a job there in 2010 and soon found herself facing the task of putting some order into an artist-run operation that was on the verge of being closed.

Since then Edith, the municipal authority, and the team she recruited have achieved financial stability; built up the membership to 100 artists; instituted a year-round gallery program with a professional curator; initiated community art programs for the intellectually disabled, migrant women and people with addiction problems; and achieved recognition both in the Australian printmaking community and on the social networks. The Fire Station also encourages young graduate printmakers with opportunities and prizes. (more…)

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IB Bremen GranadaBrenda Eubank-Ahrens showed up the other day with the cream of her art class at the International School of Bremen in tow. It’s the third year running that she has brought her current crop of young artists to Granada for a three-day workshop with Maureen. They–Christina, Suheda, Claire and Ali–took to solar-plate printmaking immediately. Even so, they were all pleasantly surprised when they saw the final printed results on the last day. Each one had his or her incredulous I-did-that? moment. (more…)

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Iram Wasi printmaker Pakistani printmaker, Iram Wani, is an extraordinary young person and a talented,  hard-working artist, and she was determined to do a workshop with Maureen. She planned to come with a friend, but when that didn’t work out she climbed on the plane by herself and many hours later we picked her up at the Granada airport. (more…)

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Time to Reminisce

These are some of the photographs Mike has made over the past few years of artists who have worked with me here in my studio in Granada. I learned something from all of them. Thanks to all of you. Come back and see us when you can.

Bremen International School (more…)

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Lorna and Maureen in the studioLorna Ryan-Burden writes from Melbourne to say that her liquid-metal print,  “Pyrotechnics I,” has just won the “other media” prize in a local show, a prize that came accompanied by a $500 check.

My sincere congratulations to you, Lorna. It’s so rewarding for me to see the amazing progress you have made since you were first here a couple of years ago. Keep up the good work! I’m sure you will. You’ve got what it takes: talent and enthusiasm.

Lorna Ryan-Burden's prize winning liquid-metal print

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Maureen and Jini, with some of the work she produced in September

Jini Grinwald made her reservation a year in advance. She wanted to spend the month of September in the Gallinero and working with Maureen in the studio. She had studied printmaking at Melbourne University, “but that was a long time ago,” and she thought she needed to learn some new approaches. “Traditional printmaking didn’t offer me enough sponteneity,” says Jini. “I needed some techniques capable of offering me more freedom, more fun, not the same old kitchen chores.”  Jini caught the plane back to Australia this morning, but before she left she had time to answer some questions in the airport coffee shop: (more…)

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Have a guess: What’s this?

What's this a picture of?

Think you can identify it?

The prize: A chilled summer wine on Maureen’s terrace.

The answer: Next week.

What we’re listening to: http://youtu.be/IxuThNgl3YA

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