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Archive for the ‘Printmaking Granada’ Category

Watch This Young Artist

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One day in 1770 when Captain Cook was sailing past a little island on the northeast coast of Australia his compass started misbehaving. He presumed it had to do with deposits of magnetic minerals found there and named the place “Magnetic Island.” (Those were the days when the Brits could name and claim territories just by sailing past them.) In the end it turned out not to be magnetic, but never mind. 

Two and a half centuries later Chelsea Candy was born there and grew up to be one of the most authentic people we have ever met. Her effortless manner of just being herself makes the people around her feel more like themselves, a delightful event when it (seldom) happens. Twenty-nine years old now, she’s built a studio beside her house and has decided to become a printmaker. After working with her for 10 days I’m sure she will succeed.

Chelsea showed up here a couple of weeks ago to extend and polish her printmaking skills. I have seldom seen an artist so well centered and hard working. Driven by an overriding enthusiasm to learn as much as she could Chelsea was in the studio every morning and afternoon turning out traditional acid etchings, solarplate and liquid-metal prints (See below, though her best prints, made on the last day, missed getting photographed.)

So busy she was making prints that she didn’t even get to see the Alhambra, the one excursion here that nobody misses. “Don’t worry,” she said, “I’ll see the Alhambra next time.”

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More Photographs from IB Bremen’s Printmaking Workshop in Granada with Maureen Booth

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They Arrive as High-School Art Students, but I Think They Leave Feeling a Little Bit More Like Artists,

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Like half of the artists who arrive at my studio affirming that they can’t draw, many of Brenda’s students were shy about their drawing skills. So I dispelled that doubt at the very beginning. “Don’t worry about drawing, ” I said, “Just make some images on these acetates and we’ll burn them onto solar plates. You can used textures, impressions, text, and you can even draw! The results were gratifying both for them and for me. These extremely attentive and polite Bremen young people took immediately to printmaking like ducklings to water.

Mike, who was also the cook, made these photographs on their last day. As there are “too many photos” he has suggested publishing half of them today and the other half tomorrow. He doesn’t want you choking on them.

(Click on an image to enlarge it and open a slide show.)

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In all my years of teaching printmaking Chika Niinuma has been a solitary case for me. It started with a brief email:

Hello,

I just want to ask you if I can experience a copperplate print while I am staying at Granada. Do you have any class for beginners? I just arrived in Granada and am planning to stay here 4-5 days.

I saw some copperplate print art in Nerja and am very interested how to make such a beautiful art.

Thank you and hope to hear from you soon,

Chika Niinuma (from Japan)

I said sure, come on out and we’ll see what we can do. Chika, tall, slender, pretty and with that endearing Japanese manner punctuated with little bows, appeared in my studio the next morning. I asked her if she had done any printmaking before. “No, she replied, “I have never done any kind of artwork before.” So we began. “This is a copper plate.”

Over the next three days Chika metamorphosed from a timid, uncertain absolute beginner into a blossoming printmaker. She thought she couldn’t draw. I convinced her she could. From there it was all downhill for her. Best of all she seemed to be enjoying the experienece immensely. She was almost another person. After a long first morning´s work and lunch I suggested she have a rest. She awakened three and a half hours later. “I don’t normally sleep that well,” she said, “and never during the day.” I told her, “·Mike says the best medicine for insomnia is happiness.” “Oh yes,” she said, “I was so happy this morning!”

Here are some photographs:.

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“Rest? Nooo… We want to get some work done!”

And so they did. If they had been beavers they would have dammed the Thames in two weeks. Hillary, recently retired as the head set designer at the National Theatre in London, is the methodical one and Phil, a theatre director and playwrite, is exhuberant. They are also serious printmakers. This is the sixth workshop they are doing together.

I usually try to find ways of challenging the artists who come to my workshops, but these two challenged me. With their print experience and their formidable talents they had quite clear ideas of what they wanted to achieve and were constantly posing questions, suggesting their own solutions, generally keeping me on my toes.

It was a marvelously intensive two weeks for all three of us. Phil even participated in our village’s annual painting contest. They are leaving on Sunday, and are taking home with them enough prints to mount a small exhibit, should they decide to do that.

It’s been great working with both of you, Hilary and Phil. I hope you come back soon.

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Nikki Braunton, on holiday in Órgiva at the foot of the Sierra Alpujarra (the seaward slope of our Sierra Nevada) with her husband, John Chase and their two girls, came for a visit the other morning. We had only known Nikki through Facebook, so it was lovely when they showed up en persona. I made a chocolate cherry cake–which was still warm from the oven, but they didn’t seem to mind–and we had coffee and tea on Mike’s new table out under the grapevines.

Nikki and John wanted to see my studio so we spent some time down there. John and Mike are both photographers, so they got on like a house afire. The two girls, ages 8 and 12. seemed interested in everything–studio, prints, cats, Cuca–and withstood the boring conversations of older people admirably.

Both John and Nikki work at the Museum of London, he as a photographer, she in the photo archives. “I only do three days a week,” Nikki says, “so it leaves me time for printmaking.” She works at the Greenwich Printmakers open studio. Nikki and John have fallen for Órgiva and have spend their last few summer holidays there.  So, we hope to see them back here next year. Happy printmaking, Nikki.

 

 

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It was such a beautiful morning yesterday that Mike took his camera and macro lens out in the garden. The red flowers and baby fruit are from our pomegranate tree. Spanish for “pomegranate” is “granada,” by the way. A neighbor gave us a cutting of the blue morning glories on the right many years ago. They came with a warning: “Be careful, they can take over your garden.” They did. The wispy little white flowers are honeysuckle. They form banks in the garden and perfume the atmosphere out there all summer. The yellow star is a zucchini flower. We put zucchini in everything. The two yellow flowers are some sort of squash, which appeared on top of the compost heap. Our lemon tree is called a “limonero lunar” in Spanish. It flowers every month so during most of the year we have both flowers and fruit.  Here’s the pictures.

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P.S. This one’s for cousin Carole.

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