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Posts Tagged ‘Granada’

I love this time of year. Yesterday Mike walked down the river road to the village bakery and took his camera with him. Here’s what was happening in the river:

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"Flyers" print using etching and liquid-metal techniques.It was autumn and the air was full of things flying around. What flies around my garden ends up flying around my head. This was the first print in which I mixed etching and liquid-metal techniques. First I varnished the zinc plate and etched the drawing. Then I added a soft ground and pressed different elements into it to achieve texture and content. Finally I used Nural 21 liquid metal to create the bird, which stands out in relief. There is no aquatint on this plate.

This Voladores print was exhibited at the National Arts Club in New York in 2010, part of an exhibit mounted by tireless printmaking advocate, Stephen Fredericks, and the New York Society of Printmakers.

What’s a Gallinero? And why would you want to stay there?

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City of Light

"City of Light," a liquid-metal print by Maureen Booth

This print, which I made 8-10 years ago, was actually made for a commission, the biggest one I ever got. (Some day I’ll tell you how I got it.) The client was a Parisian real-estate company with 1,000 employees and they wanted Christmas presents for all of them. The only condition was that the images had to be versions of the buildings they were making in La Defense quarter, outside of Paris. They accepted all of the prints except this one. It seemed that the architect had changed the look of the building, and this print was no longer a true representation.

No matter, I editioned it myself and introduced it into my own distribution channels. Over the years it has been an excellent seller, something I never expected from a print of an office building!

This is a liquid-metal print (http://www.youtube.com/watch?v=2E5iZYs52bM) and I think it’s the unique qualities that this technique offers which have made it successful.

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Cat and Canary

The Thrill of a Trip; Paco Was Pleasant

In the summer of 1985 Mike and I did a six-week trip from our home in Granada to Belgrade and back, visiting a few hundred hotels in Greece, Austria and Yugoslavia along the way. Mike was European editor of a hotel guide in those days. We had a new car, which was also an incentive for the trip. This was one of the few times that we rented our house while we were traveling. Paco, the Granada jeweler and his family who rented it seemed competent and pleasant people.

Everything seemed in order. Nevertheless, every single day on that trip I expressed my concern about our canary. Would those nice people feed it and water it regularly? Would they hang the cage in the shade, out of the reach of the cats? It was my constant concern and Mike got frankly bored with me mentioning it every day. (more…)

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These (rather disordered) snapshots should give you an idea of what our village and its environs are like. You might like it here.

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"Tormenta," an etching by Maureen Booth

Soon after arriving in our village–this was 40 years ago–Mike and I took the kids, then eight and ten, on a picnic on the mountainside above the neighboring village of Guéjar Sierra. This was at a period in our lives when everything was new and uncertain. While Mike made a fire to roast some pork chops I got out my sketch pad and began to draw the scene below. There was one isolated stone cottage sitting there.  This used to be very common in the Spanish landscapes at that time. (more…)

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Anglo-Spanish master printmaker, Maureen Booth, in her Granada studioI’ve just added two new videos to my Printmaking Master Classes collection of printmaking tutorials for download.

Recorded in my studio in Granada, they are:

  • Traditional Printmaking 2–This is the follow up to Traditional Printmaking 1, and discusses aquatint, sugar lift and marbling techniques.
  • Printmaking Tips–This is a collection of shortcuts, safety measures, ways of economizing and working more efficiently. Taken together they should make your studio experience more pleasant and productive.

You can find previews and order links for these new videos here on the Printmaking Master Classes site.

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I had some free time this summer–when I wasn’t making videos–to make some prints. Here’s a quick slide show with a selection of my recent work. It includes acid etching, solar plate, liquid metal, chine collé, and a reduction lino cut. Let’s see if you can tell which is which.

This slideshow requires JavaScript.

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Granada-based master printmaker, Maureen Booth, announces her new Printmaking Master Classes line of printmaking learning videos, now available for download. (More info here.)

Shooting the Printmaking Master Classes videos in Maureen's studioGranada, Spain, September 6, 2011—A British-born fine-art printmaker who has lived two thirds of her life in Spain has just launched a new series of printmaking tutorial videos. She calls them her Printmaking Master Classes and with them hopes to help fine-art printmakers “take their printmaking skills to the next level.”

Maureen Booth is well known in international printmaking circles, both as co-founder of the World Printmakers printmaking-resource site and as an artist, educator and art activist. “These new learning videos are just a continuation of the teaching I’ve done during most of my life as a printmaking professional,” says Maureen. “Since inaugurating my Gallinero artists’ residence a year and a half ago, and working with printmakers from all over the world, I’ve become aware of what today’s artists are looking for and what they need in terms of techniques and skills. Thanks to this video project designed by Spanish video producer Juan Carlos Romera, artists from all over the world now have access to my printmaking workshops. I find that very exciting.” (more…)

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Anglo-Spanish artist, Maureen BoothGranada, Spain, August 25, 2001–With her soon-to-be-released collection of Printmaking Master Class download videos, Granada-based Anglo-Spanish artist, Maureen Booth, is taking the next step in her 30-year career as a fine-art printmaker, editor and educator. “For the past couple of years, ever since we built my Gallinero creative residence, I’ve been teaching more printmaking workshops than ever,” says Maureen. “Artists arrive from around the world to do workshops and one-on-one collaborative printmaking projects with me. Unfortunately, there’s not enough time for me to attend everyone. Also, as my studio is located in rural Spain, I’m a bit out of the way for many artists who want to perfect their printmaking techniques. So these videos are a way of reaching those people.”

The first step in the Printmaking Master Classes project was to shoot the first five videos and a trailer in Maureen’s Pomegranate Editions studio, located in a village in the foothills of the Sierra Nevada mountains outside of Granada. The trailer will be posted on YouTube and other online video platforms with free access in mid-September, 2001. The full-length videos will be offered for sale as downloads. “If these first five videos are successful,” says Maureen, “we can make more. Every time we do a video recording session new ideas arise.”

Maureen Booth, master printmakerThe five videos are entitled:

  • Make Prints Like the Old Masters–Traditional Printmaking, Part I
  • It’s Easy to Make a (Bad) Solar-Plate Print–Solar-Plate Printmaking Secrets
  • Nice Plate, How Are You Going to Print It?–Creative Printing
  • The Fine-Art Printmakers Logo–How to Make a Chop
  • Turning Epoxy Solder into Art– Liquid Metal Printmaking

The idea for the Printmaking Master Classes project came from filmmaker and video producer, Juan Carlos Romera. “We’ve been friends with Juan Carlos for many years,” says Maureen. “A few years ago I played the part of an English printmaker who falls in love with a Spanish fisherman in Bive, one of Juan Carlos’s short films. So, a few months ago he shows up with an ambitious new project to make printmaking instruction videos and offer them as downloads on Internet. One cup of coffee later we were partners.

Maureen Booth, from Manchester, U.K., has been making fine-art prints in her Granada studio since the early 1980’s. In those 30 years she has passed through all the stages of a young artist’s progress from beginner to master printmaker and editor. “I was lucky in the beginning,” she says, “to be selected to study in the etching workshop of the Rodríguez-Acosta Foundation in Granada. I was actually doubly lucky as I worked under the guidance of the maestro José García Lomas. Pepe Lomas was the ideal mentor, a gentle soul and a true European master, formed in the some of the finest Italian and Catalan print studios.

Maureen's presentation for her "Making a Chop" videoAfter the Rodríguez-Acosta Foundation workshop closed in 1981 Maureen had the opportunity to purchase one of the etching presses with all the trimmings—custom-built tables, flattening press, drying racks, rollers, inks and papers—and set up her own printmaking workshop in her painting studio at home. Printmaking soon took over.

Maureen’s desire is that these new videos might be useful to both amateur and professional printmakers, and that they might make a small contribution towards extending printmaking culture among artists and art lovers around the world.

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