How Long Since You’ve Seen This Excerpt from “Goya’s Ghosts?”
Posted in acid etching, Francisco Goya, Goyas Ghosts, History of Etching | Tagged Etching Goya Style, History of Printmaking, old fashioned etching | Leave a Comment »

Our friends ask me frequently, “When are you going to do a workshop for children?I would love for our kids to participate.” So last Saturday I invited a group of friends’ kids, along with our own grandchildren, to a day of printmaking in my studio. Some of them didn’t really know why they were here; they were sent. Some were frankly reluctant at first.
How does one overcome that reluctance and get them centered on the work. I found out a long time ago that it’s not so complicated as it seems. You put a sheet of acetate in one hand and a felt pen in the other and tell them to do whatever they like. No art teacher ever told them that before and it makes them feel empowered. That, and seeing their first print, maintains their enthusiasm.
Aside: One of the fathers was there when I passed out the materials, actually a well-known local painter. He stood over his daughter and started giving her instructions. I suggested he might be more comfortable out in the sunshine and she immediately got seriously to work. Moral to the story: Children are actually people and people like freedom.
After creating their first image, seeing it burned on a solarplate and run through an etching press onto paper, they wanted to do more printss. I couldn’t keep up with them. The only way to slow them down was to announce lunch. What do kids like to eat? Anything followed by chocolate pudding.
They all went home with a couple of prints, some more, and a new experience under their belts. The parents were also delighted. Some of them actually expressed an interest in doing some prints themselves.
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Posted in Maureens printmaking workshops, Printmaking Courses Spain, Printmaking with Kids | Tagged Children Printmaking Granada, Maureen Booth printmaker, printmaking Granada, printmaking Spain, Printmaking with Kids | 1 Comment »

New Zealander, Wendy Kerr, is an experienced printmaker. She also likes to travel. She showed up in Granada recently for an intensive week of collaborative printmaking with Maureen.
They worked together on refining Wendy’s solarplate techniques. In the beginning Wendy was worried about the suitability of her drawings. Maureen said to her, “Don’t worry about your drawing, let’s just have fun.” Thus unchained, Wendy began to make prints, to play with inked crumpled newspaper (previously used for cleaning plates) and to experiment with chine collé (The Italian term is more fun: “fondino.”) and other creative printing techniques.
Towards the end of the week Wendy said, “I don’t think I’ve ever had so much fun making prints,” adding, “I don’t think I’ve ever worked more intensely, either.”
When I dropped her at the Granada train station I said, “Come back and see us when you can.”
Her answer: “I’ll be back next year.”
Here are a few photographs.
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I recently received this lovely note from Wendy. I’m proud to share it with you:
Back in New Zealand and now remembering the wonderful printmaking experience I had with Maureen (and let’s not forget Mike)’.
Her marvellous richly resourced studio is a printmakers heaven. All those goodies stashed away just waiting to become someone’s best print ever. Most printmakers are lovers of paper and Maureen’s collection of wonderful print papers, as well as her ‘museum’ of tissue and other interesting papers and materials for chine colle etc are an inspiration to creativity.
Maureen’s skills and talents are a rich resource for the visiting printmakers too. She gave freely of her wide experience and guided me to create some very good work.
I loved being ‘’ín residence”. The accommodation is delightful; peaceful and picturesque, and just a skip down the steps each day to the studio.
Thank you Maureen and Mike. Hope to see you again next year. Wendy.
Posted in Maureen Booths Studio, Maureens printmaking workshops, Printmaking Courses Spain, Printmaking Granada, Printmaking in Spain, Wendy Kerr Printmaker | Tagged Maureen Booth, New Zealand Printmaker, printmaking in Granada, printmaking workshops Spain, Wendy Kerr Printmaker | 1 Comment »

For many summers we’ve been driving up to the forest above a neighboring village to gather pine cones for starting fires. They’re ideal for the job, dry and resinous. We need them as the firewood we use—olive, almond and live oak—is hard to light and in wintertime all of our heating and most of our cooking is done on wood fires. Sometimes we take along a picnic. One time we were up there in a sunny clearing enjoying a potato omelette and some red wine while our two little terriers ran around chasing lizards and butterflies. When we finished lunch and rolled over on our backs on the blanket, staring aimlessly skyward, we discovered a pair of golden eagles circling quite a bit lower than usual. They were thinking about lunch, too.
A couple of years ago it occurred to the forestry authority to prohibit collecting anything in the natural park forests. But we still need pine cones, so I came up with a business plan. I would drive up there before dawn on a Sunday morning, while Smokey Bear was still in bed, and load the back of the car with big 100-liter black plastic garbage bags full of pine cones.
It’s a half-hour drive up there from our house and when I left last Sunday at 7:00 a.m. it was 19º down there and a bracing 13º up on the mountain. I turned off on a forestry trail, followed it for a kilometer and parked at the edge of the road. There were enough plump pine cones within a 30-meter radius to fill the four bags that would fit in the back of the car. After scurrying around filling two of them I sat down on a carpet of pine needles for a break. Then it struck me: the silence, the solitude, the pine-scented air… I should come up here more often.
Add to that the larcenous glee of stealing the pine cones and you have most of the makings of a perfect Sunday morning. All that was lacking was a double coffee and a plate of the fried batter rings the Spanish call “churros,” and I would see to that at the bar on the way down.
I was headed due south on the dirt trail when I burst out of the woods and found myself on the rim of a great bowl, looking down into a vast valley full of valleys crosslit from the east by the morning sun. Then, as I lifted my gaze I was confronted by one of our old friends, the eagles, soaring low in the distance beneath seven layers of mountain ridges receding into the haze of the upper reaches of Sierra Nevada.
I was almost down to the level of the Río Quentar at the bottom of the valley, only half listening to a Spanish self-help guru on Sunday-morning radio discussing the healing effects of nature when a “cabra montesa” (Spanish ibex) appeared in front of me, like a traffic warden, securing the road for her half-grown kid from last spring’s brood, who trotted out of the bushes behind her. Maybe I’ll go back again next Sunday.
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Posted in Maureen Booth, Maureen's World, Maureens printmaking workshops, Sierra Nevada Granada | Tagged Granada, Maureen Booth, printmaking, Sierra Nevada | Leave a Comment »

Good morning Frances
Teachers are born with a gift and you have this gift in bucket loads.
How can I ever thank you enough for your energy, talent, passion, wisdom and generosity? I have learnt so much from you in such a short time. Not just about technique and process, much deeper lessons in how to live an artistic and creative life, lessons that I will take with me and draw on to enrich my work and relationships.
The studio space, the adorable Gallinero, the village, the river and most of all Mike and your hospitality and generosity have made our visit so memorable.
Frances & Mike Parker
Thank you for your too-kind words, Frances. I wish you and Mike the greatest success wherever you go, whatever you do. I suspect you’re going to etch a deep mark on Australian printmaking.
Posted in Frances Parker printmaker, Maureen Booth printmaker, Printmaking Granada, Printmaking in Spain | Tagged Frances Parker, Maureen Booth printmaker, printmaking Granada, printmaking Spain | 1 Comment »
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Posted in IB Bremen, Maureens printmaking workshops, Printmaking Granada, Printmaking in Spain | Tagged IB Bremen, printmaking in Granada, printmaking in Spain, printmaking with Maureen | Leave a Comment »
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(Click on an image to enlarge it and open a slide show.)
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In all my years of teaching printmaking Chika Niinuma has been a solitary case for me. It started with a brief email:
Hello,
I just want to ask you if I can experience a copperplate print while I am staying at Granada. Do you have any class for beginners? I just arrived in Granada and am planning to stay here 4-5 days.
I saw some copperplate print art in Nerja and am very interested how to make such a beautiful art.
Thank you and hope to hear from you soon,
Chika Niinuma (from Japan)
I said sure, come on out and we’ll see what we can do. Chika, tall, slender, pretty and with that endearing Japanese manner punctuated with little bows, appeared in my studio the next morning. I asked her if she had done any printmaking before. “No, she replied, “I have never done any kind of artwork before.” So we began. “This is a copper plate.”
Over the next three days Chika metamorphosed from a timid, uncertain absolute beginner into a blossoming printmaker. She thought she couldn’t draw. I convinced her she could. From there it was all downhill for her. Best of all she seemed to be enjoying the experienece immensely. She was almost another person. After a long first morning´s work and lunch I suggested she have a rest. She awakened three and a half hours later. “I don’t normally sleep that well,” she said, “and never during the day.” I told her, “·Mike says the best medicine for insomnia is happiness.” “Oh yes,” she said, “I was so happy this morning!”
Here are some photographs:.
Posted in Chika Niinuma, Maureen Booth printmaker, Printmaking Courses Spain, Printmaking Granada | Tagged Chika Niinuma, Maureen Booth, Printmaker coaching Spain | Leave a Comment »