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"Flyers" print using etching and liquid-metal techniques.It was autumn and the air was full of things flying around. What flies around my garden ends up flying around my head. This was the first print in which I mixed etching and liquid-metal techniques. First I varnished the zinc plate and etched the drawing. Then I added a soft ground and pressed different elements into it to achieve texture and content. Finally I used Nural 21 liquid metal to create the bird, which stands out in relief. There is no aquatint on this plate.

This Voladores print was exhibited at the National Arts Club in New York in 2010, part of an exhibit mounted by tireless printmaking advocate, Stephen Fredericks, and the New York Society of Printmakers.

What’s a Gallinero? And why would you want to stay there?

Cathy Naro, Maureen Booth in Maureen's printmaking studio in Granada, Spain

Cathy and Maureen review one of Cathy's new prints in Maureen's studio in Granada

In my Liquid Metal Printmaking video I use a two-tube epoxy adhesive (“cold metal solder”) called “Nural 21″ sold by a Spanish firm called Pattex. As it turned out, this product is not available in the U.S.A. and some American artists have been frustrated trying to find a suitable substitute. Now Cathy Naro has found it. I’ll let her tell you about it: Continue Reading »

City of Light

"City of Light," a liquid-metal print by Maureen Booth

This print, which I made 8-10 years ago, was actually made for a commission, the biggest one I ever got. (Some day I’ll tell you how I got it.) The client was a Parisian real-estate company with 1,000 employees and they wanted Christmas presents for all of them. The only condition was that the images had to be versions of the buildings they were making in La Defense quarter, outside of Paris. They accepted all of the prints except this one. It seemed that the architect had changed the look of the building, and this print was no longer a true representation.

No matter, I editioned it myself and introduced it into my own distribution channels. Over the years it has been an excellent seller, something I never expected from a print of an office building!

This is a liquid-metal print (http://www.youtube.com/watch?v=2E5iZYs52bM) and I think it’s the unique qualities that this technique offers which have made it successful.

Cat and Canary

The Thrill of a Trip; Paco Was Pleasant

In the summer of 1985 Mike and I did a six-week trip from our home in Granada to Belgrade and back, visiting a few hundred hotels in Greece, Austria and Yugoslavia along the way. Mike was European editor of a hotel guide in those days. We had a new car, which was also an incentive for the trip. This was one of the few times that we rented our house while we were traveling. Paco, the Granada jeweler and his family who rented it seemed competent and pleasant people.

Everything seemed in order. Nevertheless, every single day on that trip I expressed my concern about our canary. Would those nice people feed it and water it regularly? Would they hang the cage in the shade, out of the reach of the cats? It was my constant concern and Mike got frankly bored with me mentioning it every day. Continue Reading »

These (rather disordered) snapshots should give you an idea of what our village and its environs are like. You might like it here.

"Tormenta," an etching by Maureen Booth

Soon after arriving in our village–this was 40 years ago–Mike and I took the kids, then eight and ten, on a picnic on the mountainside above the neighboring village of Guéjar Sierra. This was at a period in our lives when everything was new and uncertain. While Mike made a fire to roast some pork chops I got out my sketch pad and began to draw the scene below. There was one isolated stone cottage sitting there.  This used to be very common in the Spanish landscapes at that time. Continue Reading »

Maureen's best-loved dog, Chichirriqui

Our best-loved dog was a magical toy-terrier bitch, one of the first after our changeover from big breeds (great danes, and Spanish mastiffs) to little ones (pekes, yorkie crosses, shih tsu halfbreeds). I never fully forgave Mike for naming her Chichirriqui. He thought it was a playful name. I thought it was disrespectful for such a serious little person as Chichi, who could sit on a chair with her chin on the table and keep everybody enchanted just by cocking her head, flashing her eyes and flicking her ears first in one direction, then another. She was a delightful little one-dog circus with a wide repertory of such techniques for keeping people’s attention properly centered on her: bundy jumps, pa’ ca pa’ yas, spin arounds and shivers. Continue Reading »

CPC Logo for web (transparent background)
Chicago Printmakers Collaborative
For Immediate Release!!!!                                                                                      November 2011
BIG SHOW small prints…. 
google on over for our earth – sized deals on gorgeous art at
The 22nd Annual International Small Print Show
and Holiday Sale

Todd Irwin, hand screened printed CPC poster

Opening: Saturday and Sunday, December 3rd & 4th
11 – 7pm, both days
with special holiday open hours, 12-5 Tuesday – Sunday (December 6 – 18 only)

(Special sneak preview, Saturday, November 19, 12-5pm)

GORGEOUS, whimsical, fun and AFFORDABLE works on paper. We’ve been doing this for 22 years, and it just keeps getting freakingly better! Lots of new artists, as well as your veteran faves, from all over the planet. Over 60 artists and hundreds of prints, many under 100 bucks. An opportunity to buy local and meet and support the artists in your community and beyond. Purchase utterly unique and meaningful gifts for your loved ones this holiday. Meet and greet over hot cider, fresh brewed coffee and vegan treats from Delicious Cafe, and artist-made yummies in an oasis of warmth on Western Avenue….see you soon!

This show will also feature a huge selection of artist made cards, books, t-shirts, posters and other DIY gifts. 


Tanya Miller, “Musicians”, drypoint, etching, 4.5 x 6 inches


Ryan Kapp, “Big Dog”, 5-color screen print, 9 x 12 inches, $30


Elke Claus, “Maxwell”, silkscreen and collage, 11 x 11 inches, $50


Debra Riffe, “ain’t no place like home”, linoleum print, 5.5 x 7.5 inches, $60

    
Sarah Smelser, “untitled”, monotype, 6 x 6 inches


Maureen Booth, “Moorish Baths, Granada”, liquid metal collagraph, 8.5 x 5.5 inches, $80

Participating artists:
 Grazvyda Andrijauskaite, Colleen Aufderheide, George Bodmer, Maureen Booth (Spain), Liz Born, Miguel Carini (Spain), Elke Claus, Ben Crowell, Todd Freeman, Christine Gendre-Bergere (France), Elizabeth Gilmore, Sanya Glisic, Misha Goro, Dan Grzeca, Todd Irwin, Carrie Iverson, Ryan Kapp, Amos Paul Kennedy Jr., Scott Kiefer, Deborah Maris Lader, Kim Laurel, Letterform, Siu Jane Liu (China), Maggie Marlin, Ray Maseman, Michelle McCoy, Bert Menco, Tanya Miller (Canada), Julie Morelli, Ashley Nason, Brian Novak, Dennis O’Malley, Mary O’Shaughnessy, Debra Riffe, Artemio Rodriguez (Mexico), Maria Sanchez, Jeff Sippel, Sarah Smelser, Amelia Spinney, Starshaped Press (Jen Farrell), Megan Sterling, Shawn Stucky, Kyra Termini, Charlie Van Gilder, Sarah Vogel, Scott Westgard, Cleo Wilkinson (Australia), Nele Zirnite (Latvia)

The exhibition runs through January 28, 2012

More information and high rez images: contact Deborah at 773-293-2070 or by email
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The CPC is located in Lincoln Square, at 4642 N. Western Avenue, just across the street from the Brown Line el stop, on the west side of the street, between Wilson and Leland. Check us out on the web:
www.chicagoprintmakers.com Get inky everyone!!!!

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Anglo-Spanish master printmaker, Maureen Booth, in her Granada studioI’ve just added two new videos to my Printmaking Master Classes collection of printmaking tutorials for download.

Recorded in my studio in Granada, they are:

  • Traditional Printmaking 2–This is the follow up to Traditional Printmaking 1, and discusses aquatint, sugar lift and marbling techniques.
  • Printmaking Tips–This is a collection of shortcuts, safety measures, ways of economizing and working more efficiently. Taken together they should make your studio experience more pleasant and productive.

You can find previews and order links for these new videos here on the Printmaking Master Classes site.

Wondering what Granada has to offer visitors. Here’s a quick overview: